
Portraits
Decent portraits are hard to pull off.
One false move and bang! The likeness is ruined and everyone knows it. Why put myself through it? Why not take photos and be done with it?
Portraits take time; but can result in timelessness. Photographs take a moment in time; and there they stay. When I take a photograph, I wait for an opportunity and use a machine to copy it; when I paint a portrait, I accumulate what I have seen and felt over time, and use my eyes, my hands, my feelings, and a million tiny judgments to create it. Cameras see two dimensions; we experience more. To cameras, we delegate the act of seeing; to portraits, we give ourselves to the art of looking.
Arthur, Newby Hall (Pastel on Paper, 2018)
Hector in Highchair (Acrylic on Board, 2020)
Arthur with Trains (Acrylic on Canvas, 2016)
Helen in Blue (Gouache and Acrylic, magazine cuttings on canvas, 2011)
Helen Reading in Primary Colours (Acrylic on Back of Canvas, 2012)
Helen Writing (Pencil on paper, 2011)
Helen and Arthur Under Chestnut Tree at Fountain's Abbey (Pencil on Paper, 2014)
Eloise and Henry (Pencil on Paper, 2020)
Florence and Iris, River Eden, Kirkby Stephen
Portrait of Libby (Acrylic on Canvas, 2020)
Self-Portrait [A rarity!] (Biro on Paper, 2011)
Self-Portrait with hair [Even rarer] (Wax Crayon, 2011)
Portrait of a Woman (Pencil on Paper, 2004)
Helen in Veil (Gouache on Back of Canvas, 2013)
Helen with Henna (Gouache on Back of Canvas, 2012)
Arthur in Director's Chair (Pastel on Paper, 2017)
Hector on Throne with Abacus (Acrylic on Board, 2020)